Lossy (100 Grit) 2025. Elm, cherry, coconut, tropical hardwood and rosewood on 100 grit sanding belt. Fixed with diluted wood glue and stretched on pine.
Chaff (180 Grit) 2025. Every different type of wood in the studio drawn onto 180 grit sanding belts, sat on a borrowed toolbox.
Carrion (80 Grit) 2025. Pine, apple, rosewood and walnut on 80 grit sanding belt. Resin fixed and stretched on pine.
Finding a Six, Ten Plans, 2024. Botany Bay sea chalk, plan chest. Images courtesy of Slugtown.
Swill (240 Grit) 2025. Pine, Indian rosewood, apple wood on 240 grit sandpaper
Offal (120 Grit) 2024. Pine, rosewood, tropical hardwood drawing on 120 grit belt sander
Manners (400 Grit) 2024. Birch, Indian rosewood, walnut on 400 grit sandpaper, resin-fixed drawing
Leaving a Cemetery (Hebden Bridge 2024) C-type
Blood in the Brain, 2024. Ash, utile wood. Images courtesy of Alice Amati Gallery.
Finding a Six (10 Plans) 2024. Botany Bay sea chalk, plan chest. Images courtesy of Unit 1 Gallery.
The Moon’s Doing, 2024. looped single channel video, 1 minute 29 seconds. Hand carved sea chalk dice being rolled by the wash on Westbrook Bay, May 2024. Images courtesy of Alice Amati Gallery.
The Mingling Tree for Chester Contemporary 2023.
Pebble Gets Going for Saltstung Press 2022.
Employee of the Month (September) 2023. Terracotta wash, Margate sand, Joss Bay chalk, PLA, tape.
Two Thoughts from a Windowless Office, 2024. C-Type prints, aluminium frame.
Stoodley’s Always There for Point Two Five. Recycled 925 silver, c-types, sapphire glass.
Pearls Before Swine (2023) freshwater fireball pearl balanced on a chastity cage.
Fallingroyd Tunnel (Western Portal) Hebden Bridge 2023. C-type, hardwood frame.
The Big Crunch (2022) every published variant of A Brief History of Time, collapsed and stacked bookcase. Images courtesy of The Whitaker Museum.
Climate Thing (2024) Framed C-type, gallery pillar. Images courtesy of Slugtown.
When Chaos Became Official (2020) Aluminium with dyed MDF. Image courtesy of Fabrica Research Center.